DAY 4 featured all our outdoor scenes. Despite a weather forecast that threatened rain, it turned out to be completely hot and dry which was ideal for our concrete cow shots, park bench scene and night shots.
DAY 3 was spent at Arts Central to shoot the opening office scene, followed by a session at Phil's flat in Eaglestone to finish off the shots we couldn't do on DAY 1. We have also included some footage of how we used a wheelchair to get some cheap and fast dolly shots on Day 2. Wheelchair Dolly (DAY 2)Wheelchair Dolly from Creative Media Campus on Vimeo. DAY 2 was by far the most demanding day of shooting. We were filming in a local shop, and had just 3 and a half hours to set up our gear and execute 13 shots, which worked out at roughly one shot every 15 minutes. Although we did have some provision to over-run, it was a credit to the professionalism of the crew that we completed everything on schedule with 2 minutes to spare! Hats off to Daniel Tottey (one of our sound recordists) who was persuaded to take on his first acting role, which he did superbly. Brief video from DAY 1 showing how to get a subtle TV flicker-look on raw footage. |
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